I have finally found “the one”. The black and white film to compliment my color work on Portra 400, with it’s silvery highlights, shadow detail and deep blacks: Ilford XP2 Super 400.
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Drum scanners achieve the highest quality results available out of our negatives, from 35mm to 120, and especially large format, but are they worth it?
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The Pentax 67 is a glorious medium format film camera. A massive 6x7 negative in the convenience of an SLR (single-lens reflex) design, and a fantastic range of lenses to compliment.
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Peter explores Jennette’s Pier in the Outer Banks with his Mamiya 6 and a roll of Portra 400. His passion for film photography and the Outer Banks continues.
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A new camera now sits atop my mantle as my perfect camera: The Mamiya 6. This review touches on the features, and pluses and minuses of the Mamiya 6 and of course loads of Mamiya 6 sample photos.
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The Bodie Island Lighthouse is one of the most photogenic lighthouses along the east coast, and one I have photographed hundreds of times. Here I discuss the multiple angles, the times of the day for the right light, and the times of year for when Bodie is best. From sunrise to sunset, to Milky Way and star trails, I’ll provide tips, locations and focal lengths.
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Shooting 35mm film through a Pentax 67 gives a unique wide, panoramic view while exposing around the sprocket holes and leaving you with the information of the negative. In this post I explain how to properly load 35mm film into Pentax 67, what parts you need, and how to maximize the number of shots per roll.
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A family reunion at Ocotal Beach turned into the best family vacations ever. And I captured our amazing week on film.
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Pristine classic corvettes came to Greenville, SC, and I followed them with my Pentax 6x7.
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A blanket of snow covers Raleigh, NC, and the day after is pure magic.
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